6.0 英语 · 2019 · 美国 · 喜剧片
尼古拉斯·亚历山大,Bobbi Salv?r Menuez,玛格丽特·库里,Leo Sheng,克洛伊·莱文,Colton Ryan,Maxton Miles Baeza,Dana Aliya Levinson,Alisha B. Woods,Jari Jones,Rachel Burkhardt,Katie Lynn Esswein,Gracie Lawrence,Haley Murphy,安娜
少年亚当是个害羞的少年，他的姐姐性格与他截然相反，姐姐住在纽约城里，支持变性人和同性恋权益。亚当在姐姐家过暑假期间，开始和一位他梦寐以求的女孩交往，但世事弄人的是女孩是以为他是变性人的前提下才喜欢他的。不敢道破事实的亚当左右为难??
nan 意大利语 · 2021 · 意大利 · 喜剧片
Sara Ciocca,克里斯蒂安·德西卡,Diletta Leotta,Leigh Gill,亚历山德罗·西亚尼,安杰拉·菲诺基亚罗,Giada Benedetti,Kai Portman,Martin Francisco Montero Baez,Debora Franchi,Stefano Chiodaroli,Norbert Ortner,Leonie Renée Klein
Wonderfast is a leading delivery company all year round, except on Christmas. In order to destroy Santa, they manage to infiltrate Genny Catalano, "The King of the Box" or more likely “The King of the Hoax”…
8.0 英语,葡萄牙语 · 2024 · 美国 · 爱情片
卡米拉·门德斯,J·B·斯穆夫,弗兰切丝卡·雷阿莱,比安卡·孔帕拉托,鲁迪·曼卡索,Regina,McMahon,Kelly,Alejandra,Cantoral,Gregory,Jones,Bia,Borin,William,Barletta,Anthony,Ferrara,Gabriela,Amerth,David,Negri,José,Báez,Milly,Guzman,Beatriz,Ca
Follows a young man very passionate about music. He has to come to terms with an uncertain future while balances his loving life, family and Brazilian culture in New Jersey.
6.0 英语 · 2006 · 美国 · 剧情片
Gabrielle,Anwar,Dave,Baez
一對夫婦買下牧場鄰邊木屋，正當他們要搬進新屋之際，一場戲劇化的恐怖攻擊改寫了他們的命運。地獄來的怪客強佔了他們的小屋，阻斷食物供給，徹底將他們與文明隔離，過著野蠻人般生不如死的生活。女主人喪失心智出賣靈魂，而屋主也幾近崩潰極限，他們如何死裡求生？ 一對夫婦買下牧場鄰邊木屋，正當他們要搬進新屋之際，一場戲劇化的恐怖攻擊改寫了他們的命運。地獄來的怪客強佔了他們的小屋，阻斷食物供給，徹底將他們與文明隔離，過著野蠻人般生不如死的生活。女主人喪失心智出賣靈魂，而屋主也幾近崩潰極限，他們如何死裡求生？
nan 英语 · 0 · 美国 · 剧情片
Bob Dylan,Joan Baez,Judy Collins
"BobDylangoingelectric"atthe1965NewportFolkFestivalisoneofthoseepochalmomentsinrockhistorythatseeminglyeveryonehasheardabout,butwhatfewpeopleseemtoknowisthatitwasn’tsomeephemeraleventthatweonlyknowfromwordofmouth--filmmakerMurrayLernerdocumentedtheperformancesattheNewportFestivalforseveralyearsrunning,andTheOtherSideoftheMirrorcollectsfootagefromthethreeyearsDylanappearedatthecelebratedfolkgathering,allowingustoseeDylan’srisethroughthefolksceneforourselves.WatchingLerner’sdocumentary,what’smostremarkableishowmuchDylanchangedoverthecourseof36months;theyoungfolkieperformingattheafternoon"workshop"atthesideofJoanBaezin1963isatoncenervyandhesitant,singinghiswordytuneswhilechoppingawayathisacousticguitarandenergizingthecrowdwithoutseemingtoknowjustwhathe’sdoing.In1964,DylanallbutownsNewport,andheclearlyknowsit;he’sthetalkoftheFestival,withBaezandJohnnyCashsinginghispraises(andhissongs),andhiscommandofthestageisvisiblystrongerandmoreconfidentwhilehisnewmaterial(including"Mr.TambourineMan"and"ItAin’tMe,Babe")seeshimmovingawayfromthe"protestsongs"thatfirstmadehisname.WhentheaudiencedemandsanencoreafterDylan’seveningset(OdettaandDaveVanRonkwerescheduledtofollowhim),PeterYarrowtriestokeeptheshowmovingalongwhileDylanbeamsatthecrowd’sadulation,liketherockstarhewasquicklybecoming.Bythetimethe1965NewportFestivalrolledaround,Dylan’sepochal"LikeaRollingStone"wasstartingtoscalethesinglescharts,andthehardcorefolkaudiencewasclearlyoftwomindsabouthispopular(andpopulist)success.WhenDylan,FenderStratocasterinhand,performs"Maggie’sFarm"backedbyAlKooper,MikeBloomfieldandtherhythmsectionfromthePaulButterfieldBluesBand,theraucousbuthard-drivingnumberinspiresacuriousmixtureofenthusiasticcheeringandequallyemphaticbooing,andwhilelegendhasitthattheversionof"LikeaRollingStone"thatfollowedwasashambles,thesongcooksdespitedrummerSamLay’sdifficultyinfindingthegroove,thoughifanythingthedivisionofthecrowd’sloyaltiesisevenstrongerafterward.Afterthesetwonumbers,Dylanandhisbandleavethestage,withYarrow(onceagainservingasMC)citingtechnicalproblems(ifPeteSeegerreallypulledthepoweronDylan,aslegendhasit,there’snosignofithere);Dylanreturnstothestagewithanacousticsix-stringtosing"Mr.TambourineMan"and"It’sAllOverNow,BabyBlue"beforevanishingintothenightwithoutcomment.WhilemuchoftheaudienceatNewportin1965wantedthe"old"Dylanback,hisstrong,willfulperformancesevenontheacousticstuffmakesitobviousthatthescrappysemi-amateurwesawatthebeginningofthemoviewasgoneforever,andtheovationssuggestmorethanafewpeoplewantedtoseeDylanrock.Lerner’sfilmtellsusacertainamountofwhatwealreadyknows,butitgentlydebunksafewmythsaboutDylanduringthispivotalmomentinhiscareer,andhisperformancesarecommittedandforcefulthroughout;nomatterhowmanytimesyou’vereadaboutDylan’sNewportshoot-outof1965,seeingitisarevelatoryexperience,andLernerhasassembledthisarchivalmaterialwithintelligenceandtaste.Thisismust-seeviewingforanyoneinterestedinDylanorthefolksceneofthe’60s.